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PAINTING HOLIDAYS & ART
WORKSHOPS IN TUSCANY
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THE DAY AT OUR ART WORKSHOPS starts with breakfast in the
medieval dining hall. Immediately following will be a demonstration
and lesson in watercolor, oil painting or clay sculpture. Subject
matter includes vineyards, olive groves, the sculptural Chianti
valley, 15th century buildings and the lush gardens of the
villa where we will be staying in Tuscany. Painting classes
will be taught en plein air, but some lectures may be given indoors.
There will be a critique in the late afternoon. Dinner is at 8PM.
In the evening there will be a slide lecture, social time, and an
evening stroll. When we are not painting, cooking or sculpting we
will be taking day trips in Tuscany
to Siena, the medieval jewel, and Florence, the cradle of Renaissance
art.
2008 Workshop Dates: July 12-19, and July 19-25, 2008.
THE TRIP COORDINATOR, Carol Marano has
spent many years living, studying and working in Tuscany. She
is fluent in Italian and is there to assist you in every way
to make your learning
vacation as comfortable and memorable as possible.
TUSCAN COOKING SCHOOL with world-renowned
Tuscan chefs are held in English in the villa's kitchen where
the freshest organic
ingredients are used to create typical regional cuisine. Cooking
class participants work hands-on in the creation and preparation
of authentic Tuscan specialties, including antipasti, home-made
pastas and accompanying sauces, open-fire grilled meat specialties,
rustic salads, and dessert favorites such as tiramisù
and cantucci (almond biscotti). All cooking lessons
include lunch and wine. For more information, see a description
of our cooking classes and wine
tastings.
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TUSCAN LANDSCAPE PAINTING - instructor TBA
Our staple course, this motivating study of the varied and romantic Tuscan landscape offers the artist innumerable inspirations and an opportunity to achieve artistic breakthrough through a newly acquired vision.
Taught in watercolor and oil, the course will address the needs of every level of student with attentive individualized instruction. It will focus on maximizing the medium through the guided expertise of the instructor. Composition, color theory, perspective and design will be discussed and demonstrated at length while each artist will be encouraged to produce a series of finished paitnings that reflect the new vision. |
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Alice
Riordan, sculpture instructor
Alice Riordan is a sculptor, painter and teacher from Old Westbury,
Long Island. She has won numerous prestigious awards for her bronzes
and her work can be found in collections all over the world. She
has delighted in sharing her passion and knowledge of sculpture with
her students for over fifteen years. She specializes in the human
figure and will be working with self-drying clay. |
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The Trip Coordinator
Carol A. Marano, Director
Carol is an artist and a teacher from Huntington, Long Island. She holds a
masters degree in Art Education from Columbia University in New York and has
done advanced
graduate work in Renaissance art history. She has been painting in watercolor
and oils for over twenty years and has exhibited her work in New York and abroad. She
has led many successful trips throughout Italy over the past ten years. She
attended L'Università degli
Studi, Siena, Italy in 1978 where she became fluent in Italian language. |
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FRESCO PAINTING new! Carol Marano, instructor
The ancient art of fresco painting dates back to Roman times and was brought to perfection during the Italian Renaissance. This luminous, clear, earthy technique is an artist's victory which surpasses the limitations of more conventional mediums and challenges the artist with its spontaneity and transparency.
We will have the option of working on lighter weight, portable panels constructed with stretcher strips and a support, or working directly on terracotta tiles, also portable but somewhat heavier .
We will prepare our own supports, mix lime plaster and work with pure ground pigments (diluted) in the same way as Michelangelo and Tiepolo. During our excursion days, we will visit in situ several 14th century frescoes in Siena and Florence. |
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Staking out the wall area. |
 Beginning to chip away at the wall. |
 The bare wall exposed. |

Wetting the wall for the first layer |

Mixing the ariccio |

Applying the first layer of plaster
(ariccio) |
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Checking for sharp points on dried ariccio |

Mixing the intonaco (final layer of plaster) |

Smoothing the final surface |

Applying pigment through punched holes. |
 First strokes of color. |
 Finished Frescoe! |
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